Film Shed Home
Home Home
News News
Forums Forums
Blogs Blogs
Events Events
Script Shed Script Shed
Jobs Jobs
Who's Online?
View All View All    Search Search
Latest Shedians

Alan Moran
05/05/2008

Arran Constable
04/05/2008
Home
Latest Forum Posts
Re:Just an idea
  by Steve Pierce 09/05
Re:A Book of Faces? Ho...
  by Kevin Johnson 09/05
Re:Music for film needed.
  by Ryan Hooper 09/05
Re:Time to throw out y...
  by Kevin Johnson 09/05
Re:Planning ahead.
  by Kevin Johnson 09/05
Latest Blogs
  by Andrea Efstathiou
  by Andrea Efstathiou
Latest Comments
Disturbing lack of conti...
  Okay, I'm only ding this ...
Disturbing lack of conti...
  It is rare that there wou...
Upcoming Events
Swansea Film Festival 2008
  Sat May 31-Sat Jun 07
16th Raindance Film Festival is Open for Submissions
  Fri Jun 20-Fri Jun 20
Last Updated Scripts
The Hidden Animals
  by Ryan Hooper
Artisan'
  by Andrew Tanner
Latest Jobs
Runner/Driver

The Movie Mogul Fund needs you!

Movie Mogul Fund Movie Mogul Fund The Movie Mogul Fund is a fantastic new democratic online film funding system, where it's down to you to spot and back the best talent and the most promising new films. Developed in Wales with the backing of sponsors such as Kodak and Panavision, this is destined to be the next big thing in indie film financing. Show your support for these guys by heading over to the MMF website and signing up. Also, there's a chance to win £1000 by producing a viral marketing video for them. What are you waiting for?


Catching Up with Mark Jeavons
Written by Craig Clark   
Tuesday, 01 May 2007

Mark Jeavons
Following the successful experience of making his first feature The Boy with a Thorn in his Side in 2005, Mark Jeavons has shot his follow-up feature Whatever Happened to Pete Blaggit? on 16mm. Mark talks to Film Shed about raising a budget, getting name actors on-board and explains why shooting on film needn't be a daunting experience.

 
Plotting the Detective Film
Written by Steve Pierce   
Monday, 12 February 2007

Detective stories
A staple of both British and American television series, the Detective genre is used far less frequently in film. Two notable critical and commercial successes are Chinatown by Robert Towne and Brick by Rian Johnson. This article examines these scripts, and how the three-act structure and Truby's more advanced techniques can be used to plot a detective film.

 
Film Shed RSS - get the latest articles directly to your desktop
© 2004-2008 Film Shed